Israeli filmmaker Ari Folman talks about his extraordinary animated documentary "Waltz With Bashir," a trip down the nightmarish rabbit hole of memory.
Will Oscar notice Michelle Williams' pitch-perfect performance as the dead-broke slacker gal who loses her dog in the wrenching, intriguing "Wendy and Lucy"?
Fellini's 1973 "Amarcord" blends memory and fantasy into a grandiose, bittersweet entertainment. Sexist and sentimental? Well, duh. It's also wonderful.
"Antarctica" pushes global gay cinema to new levels of manflesh hotness. But it's basically an Israeli episode of "Melrose Place" with bad lesbian folk music.
Sean Penn leaps to the front of the Oscar race with his uncanny invocation of the slain gay-rights leader. Gus Van Sant's vibrant biopic meets the challenge -- almost.
OK, maybe not. But "Harvard Beats Yale 29-29" still spins an improbable, Fitzgerald-meets-Updike yarn about two elite schools, a turbulent year and an unbelievable ending.
Van Damme goes pomo Hamlet in the odd, ingratiating "JCVD." Plus: A wrenching divorce flick, Truffaut's great "Wild Child" and a gay zombie, lost in Berlin.
In the amazing new film "Stranded," survivors of the legendary 1972 Andes plane crash talk about the moral and spiritual implications of eating their friends.
Forget Guy! Forget A-Rod! All the reasons why the Material Girl and I should be together are made clear in "Filth and Wisdom," her likable, trivial directing debut.
Mocked on initial release and long unavailable, Max Ophüls' wide-screen spectacle "Lola Montès" returns in a lustrous restoration. So what's the big deal?